Wow Wow Wow! What an absolutely delightful kit this month. I had intended to make just one blog entry this month because of my broken arm surgery. But no. Here is my second entry.
This month I thought I would show you how to make an overlay. As always, open a new new blank file 12" x 12" on a transparent background.
Then go ahead and open up all the components of the kit.
Now I have opened up a couple of background papers which I am going to use to select colors which I am going to use with some of my own brushes.
At this point go into your brushes palette and take a look for something fuzzy and interesting in shape.
You will see that I have two blank layers open. The reason for this is that I like to put everything on its own layer. That way you can move, delete, change each element with ease. Having selected a brush, I have made two layers each with a color selected from the kit using the eyedropper. You can play around with the opacity of these layers. In this case I made the opacities around 70%.
Open up the frame cluster embellies and you will find 3 totally gorgeous premade frame clusters. Personally I find these so useful.
Select the one that you would like to use and add it to the next blank layer you have above the paint spatters.
I have added a script stamp beneath the frame cluster on another layer. Also a spatter brush and ribbon on their own layers. The ribbon has a drop shadow on it too. Now I think the overlay is complete.
Save the file as a merged png and you can use it many more times.
You can of course erase the grey and pink paint splatters from within the frame prior to merging the visible layers.
Somewhere on my computer I have a photo that I would like to use beneath this overlay. OK I found the photo and added a title and some journalling and now all I need is a background paper.
Background selected but you can see that the journalling and title have pretty much disappeared so all I have to do now is change the color of the text and voila!
I hope you have enjoyed my creative journey this month.
Tuesday, March 29, 2016
Saturday, March 19, 2016
Club Scrap March 2016 - Paris Flea Market - Technique Challenge
You all probably know by now that I had a surgery on my left arm on 1st March to repair the surgery from April 2015. Right now, I am able to type with my right hand only as a result of being tightly bandaged and unable to move my fingers.
So this month I thought I would try to keep my blog post pretty simple and do a selection of the quick drop layouts that we get each month in our kits. At this point you can all roll your eyes and laugh! I cannot keep ANYTHING simple let alone my blog post and with such a gorgeous kit this is no surprise.
As always - open up a new file, 12" x 12" at 300ppi transparent background.
At this point, I opened one of the background papers and selected the pink using the eyedropper tool. Fill the background using the paint bucket tool and you have created a plain pink background.
This is where the fun starts. I noticed in the forum that Lisa Dolezal is hosting a Master Board Swap based on this month's technique challenge so I thought I would play along. Make a new layer and create a stamp by using the define brush preset under the edit menu and stamp within the new layer.
Continue to make brushes and stamp until you have a result that pleases you. In this case, I have stamped in colors selected from the background papers by using the eyedropper tool.
Here is what I have so far.
I have continued to add more stamps and now have a finished piece.
Now to finalise, merge visitible layers together and you now have your new background. It does not stop there for me. I added blank transparent layer beneath the background, cut out a hole and added one of the beautiful clusters on top of the background.
I have now filtered and recolored a photo and added it to the layout.
I think I am now done with the layout. I do hope you all like what I did.
So this month I thought I would try to keep my blog post pretty simple and do a selection of the quick drop layouts that we get each month in our kits. At this point you can all roll your eyes and laugh! I cannot keep ANYTHING simple let alone my blog post and with such a gorgeous kit this is no surprise.
As always - open up a new file, 12" x 12" at 300ppi transparent background.
At this point, I opened one of the background papers and selected the pink using the eyedropper tool. Fill the background using the paint bucket tool and you have created a plain pink background.
This is where the fun starts. I noticed in the forum that Lisa Dolezal is hosting a Master Board Swap based on this month's technique challenge so I thought I would play along. Make a new layer and create a stamp by using the define brush preset under the edit menu and stamp within the new layer.
Continue to make brushes and stamp until you have a result that pleases you. In this case, I have stamped in colors selected from the background papers by using the eyedropper tool.
Here is what I have so far.
I have continued to add more stamps and now have a finished piece.
Now to finalise, merge visitible layers together and you now have your new background. It does not stop there for me. I added blank transparent layer beneath the background, cut out a hole and added one of the beautiful clusters on top of the background.
I have now filtered and recolored a photo and added it to the layout.
I think I am now done with the layout. I do hope you all like what I did.
Monday, February 22, 2016
Club Scrap Blog Hop - February 2016 - Crewel and Unusual
Hello everyone
I hope you are all well into 2016 and things are settled down after the holidays. Speaking for myself, I am now extraordinarily busy as a result of surgery on 1st February, again on 15th February and scheduled another operation for 23rd February.
Aside from the above, I thought the kit this month was really special. You have probably noticed that I have added several pieces to the galleria and I do hope you all like them.
This month, I thought we could investigate a little more about editing photos. We will be looking at the dodge and burn tools in Photoshop cc and Photoshop Elements.
First off, let's go find a photo.
I have opened up my Bridge and navigated to a folder called copyright free images.
You will see from the above that I have dozens and dozens to choose from! Here is a photo that I thought would show you some uses for dodge and burn.
Always make a duplicate layer or two at this point so you have two photos to work with. I have also renamed the two duplicate layers. To do that double click the layer name with the cursor over it and when the existing text is highlighted you can go ahead and type your new name.
Let's look at dodge first. The tool itself looks like a filled in magnifying glass and on my workspace it is located in the middle of the vertical tool panel on the left side of the screen. The dodge tool will lighten selected areas on your photo. Below is a fairly exagerrated version so you can see the tool in action. I selected a fairly large round fuzzy brush to do this with just to show you what effect the dodge tool has.
To me this image looks over cooked so I am going to back off the brushed dodge and make it somewhat less pronounced.
I just went ahead and painted over the middle of the photo at 90% opacity to make the highlight very subtle. I do hope you can see that in the screenshot below.
You have all probably guessed by now that the burn tool does the opposite of the dodge tool!!! It is located in the submenu behind the dodge tool and looks like a hand with just the index finger and thumb touching.
Below I have done a burn on the same part of the image that I did the dodge on. Again this is very exagerrated so you can see what the tool actually does.
What I am now going to do is make the outer edges and sides of this photo somewhat darker almost creating a vignette.
You can definitely see that the sides of this photo are very much darker but have not lost very much detail.
Both the dodge and burn tool lighten and darken while preserving the underlying detail.
At this point, I played around a bit with the opacity of the dodge layer and then merged the visible layers together.
This is the resulting image.
Here are both images side by side so you can see the effects of both the dodge (lighten) and the burn (darken) tools.
On my screen the dodge and burn are both very pronounced and I think that this photo has a somewhat stormy feel to it now that I have edited it. Anyway, now to the layout. Back to the Bridge and open up all the Crewel and Unusual kit.
I am going to have to recolor quite a lot of the components to match the photo but ... I think the result will be quite dramatic.
Here are the components of the kit.
As always open up a new file, I use 12" x 12" at 300ppi.
Bring in some background paper and recolor using the eyedropper tool.
Here you can see that I am already building the layout using some papers and an overlay.
Finally I added one of the wonderful pieces of word art that came with the kit.
I think this is now complete. The photo is very atmospheric and the overlay and word art make it truly pop.
I do hope you have enjoyed my explanation of the dodge and burn tools in photoshop and the creative process for the layout.
Looking forward to seeing you again next month.
I hope you are all well into 2016 and things are settled down after the holidays. Speaking for myself, I am now extraordinarily busy as a result of surgery on 1st February, again on 15th February and scheduled another operation for 23rd February.
Aside from the above, I thought the kit this month was really special. You have probably noticed that I have added several pieces to the galleria and I do hope you all like them.
This month, I thought we could investigate a little more about editing photos. We will be looking at the dodge and burn tools in Photoshop cc and Photoshop Elements.
First off, let's go find a photo.
I have opened up my Bridge and navigated to a folder called copyright free images.
You will see from the above that I have dozens and dozens to choose from! Here is a photo that I thought would show you some uses for dodge and burn.
Always make a duplicate layer or two at this point so you have two photos to work with. I have also renamed the two duplicate layers. To do that double click the layer name with the cursor over it and when the existing text is highlighted you can go ahead and type your new name.
Let's look at dodge first. The tool itself looks like a filled in magnifying glass and on my workspace it is located in the middle of the vertical tool panel on the left side of the screen. The dodge tool will lighten selected areas on your photo. Below is a fairly exagerrated version so you can see the tool in action. I selected a fairly large round fuzzy brush to do this with just to show you what effect the dodge tool has.
To me this image looks over cooked so I am going to back off the brushed dodge and make it somewhat less pronounced.
I just went ahead and painted over the middle of the photo at 90% opacity to make the highlight very subtle. I do hope you can see that in the screenshot below.
You have all probably guessed by now that the burn tool does the opposite of the dodge tool!!! It is located in the submenu behind the dodge tool and looks like a hand with just the index finger and thumb touching.
Below I have done a burn on the same part of the image that I did the dodge on. Again this is very exagerrated so you can see what the tool actually does.
What I am now going to do is make the outer edges and sides of this photo somewhat darker almost creating a vignette.
You can definitely see that the sides of this photo are very much darker but have not lost very much detail.
Both the dodge and burn tool lighten and darken while preserving the underlying detail.
At this point, I played around a bit with the opacity of the dodge layer and then merged the visible layers together.
This is the resulting image.
Here are both images side by side so you can see the effects of both the dodge (lighten) and the burn (darken) tools.
On my screen the dodge and burn are both very pronounced and I think that this photo has a somewhat stormy feel to it now that I have edited it. Anyway, now to the layout. Back to the Bridge and open up all the Crewel and Unusual kit.
I am going to have to recolor quite a lot of the components to match the photo but ... I think the result will be quite dramatic.
Here are the components of the kit.
As always open up a new file, I use 12" x 12" at 300ppi.
Bring in some background paper and recolor using the eyedropper tool.
Here you can see that I am already building the layout using some papers and an overlay.
Finally I added one of the wonderful pieces of word art that came with the kit.
I think this is now complete. The photo is very atmospheric and the overlay and word art make it truly pop.
I do hope you have enjoyed my explanation of the dodge and burn tools in photoshop and the creative process for the layout.
Looking forward to seeing you again next month.
Sunday, February 14, 2016
QDDL or Quick Drop Digital Layouts
Good morning everyone
Happy Valentine's Day to you all.
Following on from Jac's and Lisa's great tutorials on QDDL's I thought I would chime in with a quick tutorial also.
First I open up a 12 x 12 300 ppi file on a transparent background.
Next open up the kit components. In this case I am using my Bridge and the Feb 2016 kit, Crewel and Unusual.
At this point I usually bring over a couple of background papers and create a "hole"in them so that we can slot a photo in behind the hole.
Here you can see 2 backgrounds and an overlay. You will probably be thinking where is the photo at this point. What I did is choose the purple background and place the overlay on top; invert the overlay and pillow emboss it onto the background and merge those two layers.
Now I am going to bring in the photo. This is a picture of my estranged daughter and her husband.
The photo is now placed into the layout and englarged. I have selected the area behind the photo using the rectangular marquee tool.
You should be able to see the marching ants. At this point go to edit>cut and you should see the hole cut into the background paper in the layers panel.
I have also made a photo mat and given the several layers some styles. Now you can go ahead the build the rest of the layout.
Here is the QDDL.
I hope you have enjoyed this very quick tutorial.
Happy Valentine's Day to you all.
Following on from Jac's and Lisa's great tutorials on QDDL's I thought I would chime in with a quick tutorial also.
First I open up a 12 x 12 300 ppi file on a transparent background.
Next open up the kit components. In this case I am using my Bridge and the Feb 2016 kit, Crewel and Unusual.
At this point I usually bring over a couple of background papers and create a "hole"in them so that we can slot a photo in behind the hole.
Here you can see 2 backgrounds and an overlay. You will probably be thinking where is the photo at this point. What I did is choose the purple background and place the overlay on top; invert the overlay and pillow emboss it onto the background and merge those two layers.
Now I am going to bring in the photo. This is a picture of my estranged daughter and her husband.
The photo is now placed into the layout and englarged. I have selected the area behind the photo using the rectangular marquee tool.
You should be able to see the marching ants. At this point go to edit>cut and you should see the hole cut into the background paper in the layers panel.
I have also made a photo mat and given the several layers some styles. Now you can go ahead the build the rest of the layout.
Here is the QDDL.
I hope you have enjoyed this very quick tutorial.
Wednesday, February 10, 2016
Club Scrap Blog Hop for Love Knot - Feb 2016
Who says that you cannot play in the blog hop without a paper or digital kit? I actually do not own the paper kit for this and there is no digital kit for this (hopeful that there will be soon). So what I did was download all the hybrid components which Jac very generously made for us.
Next I opened up a blank canvas.
Then opened up all the pdfs and started playing around.
Added a background and two panels and did some styling with the panels.
You can see that even the most simple of shapes can build a unique and elegant card. Continue building until you feel you are finished.
And you have a beautiful, simple and elegant card.
Happy Valentine's Day to everyone and Happy Anniversary to those of you who have a Valentine Wedding Anniversary as well.
Next I opened up a blank canvas.
Then opened up all the pdfs and started playing around.
Added a background and two panels and did some styling with the panels.
You can see that even the most simple of shapes can build a unique and elegant card. Continue building until you feel you are finished.
And you have a beautiful, simple and elegant card.
Happy Valentine's Day to everyone and Happy Anniversary to those of you who have a Valentine Wedding Anniversary as well.
Wednesday, January 27, 2016
CS Blog Hop January 2016 - Celebrate
Happy 2016 everyone. I know that lots of you got art making goodies for Christmas and are probably enjoying the latest and greatest of everything artsy and scrapbook/stamp. I for one was really looking forward to getting the Celebrate kit this month and as soon as I saw the kit, I knew that I wanted to do something a bit different for my entry to the blog hop.
Here goes. I was out walking a while back and came across this delicious plumeria tree which grows in my neighborhood. Of course, apart from enjoying its wonderful perfume I had to take a photo or two of it. Here is one of them.
What we are going to do is turn this into an aged monochrome image. As yet I have no idea what tint I am going to use but will be experimenting for a while to see what works. Of course, I will give you some step by step instructions but right now it is time to play a bit. The first step is to create a duplicate layer of the photo so you do not alter the original in any way. Go to layer>duplicate layer>OK.
Turn off the eyeball in the background layer to hide it. Next you are going to turn the photo into a black and white image. There are lots of ways of doing this but the way I do this is go to image>adjustments>blackandwhite>
Once you have done that you end up with a screen that looks like this.
I use PhotoshopCC 2015. You can see there are all kinds of sliders to play around with. You will see that the filter is set to default. If you click the downfacing arrow in the default box, a number of different filters will come up.
These different filters are well worth playing around with until you find one that you like. For this photo I selected the lighter tab and ended up with a fairly contrasty and well defined black and white photo.
Now open up the bridge with all the components from our gorgeous Celebrate kit (digital version):
I have decided to make this a greyish brown sepia style photo and the brown background from the kit is absolutely the perfect color. Open the brown background and use the eyedropper tool to select color. What we are going to do is make a color overlay using this color.
Go to Layer>Layerstyle>coloroverlay>
To make the overlay transparent double click the layer style eyeball in the layers palette.
Here you can see that the opacity is set to 100%. You can either type in your percentage opacity or use the slider. In this case I think opacity should be set somewhere between 45% and 55%. The result is a somewhat softer but still very visible sepia style photo.
Now it is time to build our layout. As always, make a new file 12" x 12" at 300 ppi.
I have decided to distress the edges of this photo a bit so opened up my bridge and did a search using the word "inked". What came up was the wonderful pack of Inked Edges that Club Scrap made for us some years ago.
I went ahead and selected one of them and made a new layer on top of the photo. Also cropped the photo quite dramatically.
Once you have your distressing sorted out you can go ahead and build your layout.
I have started to do this and here is an in between screenshot.
Here is the final layout.
I very much hope you have enjoyed the process here. This soft style layout is very much outside my comfort zone but I think the photo lends itself well to being converted into a sepia style which is why I felt a soft style would make the photo pop a little.
Here goes. I was out walking a while back and came across this delicious plumeria tree which grows in my neighborhood. Of course, apart from enjoying its wonderful perfume I had to take a photo or two of it. Here is one of them.
What we are going to do is turn this into an aged monochrome image. As yet I have no idea what tint I am going to use but will be experimenting for a while to see what works. Of course, I will give you some step by step instructions but right now it is time to play a bit. The first step is to create a duplicate layer of the photo so you do not alter the original in any way. Go to layer>duplicate layer>OK.
Turn off the eyeball in the background layer to hide it. Next you are going to turn the photo into a black and white image. There are lots of ways of doing this but the way I do this is go to image>adjustments>blackandwhite>
Once you have done that you end up with a screen that looks like this.
I use PhotoshopCC 2015. You can see there are all kinds of sliders to play around with. You will see that the filter is set to default. If you click the downfacing arrow in the default box, a number of different filters will come up.
These different filters are well worth playing around with until you find one that you like. For this photo I selected the lighter tab and ended up with a fairly contrasty and well defined black and white photo.
Now open up the bridge with all the components from our gorgeous Celebrate kit (digital version):
I have decided to make this a greyish brown sepia style photo and the brown background from the kit is absolutely the perfect color. Open the brown background and use the eyedropper tool to select color. What we are going to do is make a color overlay using this color.
Go to Layer>Layerstyle>coloroverlay>
To make the overlay transparent double click the layer style eyeball in the layers palette.
Here you can see that the opacity is set to 100%. You can either type in your percentage opacity or use the slider. In this case I think opacity should be set somewhere between 45% and 55%. The result is a somewhat softer but still very visible sepia style photo.
Now it is time to build our layout. As always, make a new file 12" x 12" at 300 ppi.
I went ahead and selected one of them and made a new layer on top of the photo. Also cropped the photo quite dramatically.
Once you have your distressing sorted out you can go ahead and build your layout.
I have started to do this and here is an in between screenshot.
Here is the final layout.
I very much hope you have enjoyed the process here. This soft style layout is very much outside my comfort zone but I think the photo lends itself well to being converted into a sepia style which is why I felt a soft style would make the photo pop a little.
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